![]() ![]() While this detracts some from the concert feel, I respect the talent with which Bayer pulls this off he manages to replace some of the energy of actually seeing the show live with the dynamic camera work. Bayer makes his presence known not only in the color changes, but also in the quick switches between cameras. The film allows for moments of on-screen depth and richness when the film shows, and whether it's the shots that are in color or black and white, the effect is seductive. ![]() Throughout the show, Green Day proves why it is a band that has carved a place for itself in punk rock history, and the quality of the concert being shot on film adds to the legendary feel that this band projects, even from my fourteen-inch TV. I was lucky enough to get to see one of the shows of the American Idiot Tour, and the footage captured on the DVD was in line with what I remember from seeing Green Day live: Tre Cool with his comic-relief sort of presence in the midst of his fantastically insane drumming Mike, a strong and steady presence, but not without a fire in his bass playing and Billie Joe's amazing ability to hold the crowd in the palm of his hand from first song to last, play his guitar in a whirl of talent and comfort, to sprint from one side of the stage to the other without losing anything in the vocals, and to keep punk rock fun, politically powerful without being overbearing, and infused with the proper dose of sexuality - including an instance of stage-humping. Bullet in a Bible is both the DVD that documents the Keynes performance as a highlight in the American Idiot-fueled, Green Day sweeping of the word and a CD of the live performances on the DVD.ĭirected by Samuel Bayer, the directorial force behind all of the music videos off of the Idiot album, the DVD offers a pretty accurate representation of a Green Day show. And so begins the historic Green Day show at Milton Keynes.
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